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  • Positions and Practice
    • The Global Image
    • Power and responsibilities
    • Interdisciplinary Approaches
    • Collaboration
    • Collaboration Reflection
    • Re-thinking Photographers
    • Positions and Practice Oral Presentation
    • Strategic Choices Micro Project
  • Informing Contexts
    • The Shape-shifter
      • Where Are We Now
      • The Photographer’s Eye
    • The Index and the Icon
      • Further Questions of Authenticity
      • Artifice for Everyone
    • Constructed Realities
      • False Indexes
      • Independent Reflection
    • Into the Image World
      • Viewers Make Meaning
      • Independent Reflection
    • Gazing at Photographs and The Voyeur
    • A Sea of Images
    • Responses and Responsibilities
      • Choke
    • Enter the Academy
    • Speaking Photographically
  • Surfaces & Strategies
    • Strategies of Looking
    • Strategies of Mediation
    • Strategies of Sharing
    • Strategies of Freedom
    • Three Surfaces
    • Production
    • Publication
    • Presentation Video
    • WIP
  • Contextual Research
    • William Eggleston
    • WIlliam Eggleston 2
  • Sustainable Prospects
    • Brief Encounter
    • Other Careers in Photography
    • Art and Commerce
    • Current Commercial Environment
    • Who Buys Photography?
    • Photography and Fine Art Markets
    • Life’s a Pitch
    • The Digital – New Possibilities
    • WIP
    • The Journey Continues
    • Oral Presentation
    • Print Results
    • Leigh Ledare
    • Nadav Kander Talk – Here London 2016
  • FMP
    • Pecha Chuka Presentation
    • FMP Project Proposal
    • Why a Book
    • Editing Process
    • Designing Darling
    • Text Collaboration
    • Researching Videos
    • Photographing a Book
    • Making Videos for Darling
    • Public Outcomes
    • FMP – Darling
    • FMP Artist Research
      • Pixy Liao
      • Rinko Kawauchi
      • Larry Sultan – Pictures From Home
      • Elinor Carruci

Insert Photo here.

This is a critical research journal for my Photography MA.

 

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Hair from “Staycationer” 2018,

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